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COMPOSERS

Arnt H. Aanesen
Juan M. Abras
Firudin Allahverdi
Aaron Alon
Samuel Andreyev
Yvette Audain
Svitlana Azarova
David Balasanyan
Stephen M. Barchan
Tiziano Bedetti
Sebastien Beranger
Christophe Bertrand
Linda Buckley
Oscar Carmona
Aaron Cassidy
Luiz E. Casteloes
Paul Clift
Silvia Colasanti
Quinn Collins
Claire Cowan
Jonathan Crehan
Brian Current
Adrian Democ
Ivan Elezovic
Miguel Farias
Stephen Feigenbaum
Aaron Gervais
Alicia Grant
Raffaele Grimaldi
Gilad Hochman
Sungji Hong
Daria Jablonska
Markku Klami
Jana Kmitova
Elia Koussa
Ulrich Kreppein
Ulo Krigul
Felipe Lara
Mart-Matis Lill
Rodrigo Lima
Goncalo Lourenco
Robinson McClellan
Ilona Mesko
Kate Moore
Russell Nadel
Sarah Nemtsov
Alek Nowak
Yoshiaki Onishi
Christian Onyeji
Tomasz J. Opalka
Tomas Palka
Klaudia Pasternak
Stefan Prins
Benjamin Sabey
Jeremy Sagala

Daniel Salecich
M. Salkind-Pearl
Evis Sammoutis
Jakh. Shukurov
James Sproul
Andrew Staniland
Luke Styles
Mirjam Tally
Roberto Toscano
Christ. Trapani
Jeff Trevino
M. Twaalfhoven
Nicholas Vines
James Wade
Peter Zombola
William Zuckerman

 
MART-MATIS LILL (EE)

 'Poetry, intensity and poeticality peculiar to it, is my artistic ideal. If somebody says my music is poetical, this is the highest praise for me; then I feel I have reached the point.'
'I want to create fragile music but, at the same time, I like to balance this fragility. This may be my artistic ideal, as like as poetical state of mind I want to create.'

The output of Märt-Matis Lill reflects deep interest in Oriental culture and philosophic tradition. His music combines modern Western sonoristic devices as well as refined and concentrated sound perception common to Oriental music.
Instead of architectonic qualities, free breathing, unpredictable succession of sound events dominates in Lill’s music. Oftentimes recited lyrics and music is connected in his scores, many of his works have been inspired by poetic images. Pieces of chamber music form the bulk of Lill’s work until now.


MÄRT-MATIS LILL studied composition with Lepo Sumera in the Tallinn Music High School and graduated from the Estonian Academy of Music in 1999 as a student of Prof. Eino Tamberg and Prof. Lepo Sumera. Since 1998, he is obtaining master degree at the Sibelius Academy in Helsinki with Veli-Matti Puumala. Lill has improved his skills in composition at master courses with Louis Andriessen, Michael Jarrell, Luca Francesconi and Magnus Lindberg.
In 2000, Lill was granted a scholarship to participate in IRCAM's summer course in Helsinki; in 2003, he took part in the Centre Acanthes summer course in Avignon. Since 1997, Lill has studied japanology, sinology and philosophy at the Helsinki University.
Märt-Matis Lill is artistic director of the Pärnu Contemporary Music Days and, since 2003, chairman of the Estonian Arnold Schönberg Society.
The work of Märt-Matis Lill has been performed at the Estonian Music Days Festival and at the International New Music Festival NYYD. Lill’s ensemble work „From Whispers to Screams” was premiered in Villeneuve-lez-Avignon, France, 2003 by Présences Contemporaines Ensemble. In 2004 in Metz, France, his „Fleeting Dreams” got the first performance from the Ensemble Intercontemporain with Peter Rundel conducting.
In 2003, Lill’s orchestral work „River of Heaven” participated at UNESCO’s International Rostrum of Composers in Vienna in the category of composers under 30. Among four Estonian composers’ works, Lill’s „Spots of Fire in the Dark” was included into the music of the dance performance “Myrrh and Cinnamon” premiered in 2004 in Netherland, at Arvo Pärt Festival: AEstonishing music’.
In 2004, Märt-Matis Lill was awarded the Heino Eller Composition Prize. For the work “Sad joy” he got the Composer Prize of the Estonian Music Days Festival 2005 and for “My weeping voice is the wind of autumn” the Composer Prize of the Estonian Music Days Festival 2006. In 2007, "My weeping voice is the wind of autumn" was selected among the best ten compositions at the International Composers' Rostrum in Paris.

Mailto:
mmlill(at)yahoo.com.